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Twixtor raises the bar in motion estimation. Twixtor is much more accurate, tracks objects farther, and exhibits fewer artifacts when there are objects crossing in the scene. This means less tearing and stretching of objects as they cross or go out of the frame.

Digital Anarchy’s Flicker Free is a plug-in that fixes flicker problems that occur from shooting time-lapse, slow-motion video, drone footage, or under certain LED or fluorescent lights. It works in most video editing applications, such as Adobe After Effects, Premiere Pro, FCP X, Avid, Resolve and Vegas.


Twixtor Features-Warping and interpolation of frames to 'time warp' input footage.
-Smart processing of interlaced material
-Stretching of a sequence using a single scaling parameter.
-Keyframable retiming for complete control on a frame by frame basis.
-Frame rate conversions made easy (Important Note: frame rate conversions are supported only from within After Effects and Combustion ).
-8 and 16 bits per channel processing. Unclamped floating point image support in After Effects 7.0 or later
-Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
-Contains an option to add or remove motion motion blur, as appropriate.
-Support for marking material so that Twixtor does not motion-interpolate across a cut.
-After Effects only: ability to remap audio and video using AE's time remapping tools but using Twixtor 'under the hood'
Twixtor Pro Features
Object separation.Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! Support for up to 3 foreground layers.
Track Point Guidance. Up to 12 user-defined points can be specified to help guide Twixtor's motion estimation. By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide Twixtor's calculation of motion vectors. You can set the position of each point at each frame by hand, but more importantly, In After Effects and combustion these points can be positioned from frame-to-frame using the host application's point-tracking features.
Spline Guidance.When Twixtor exhibits tracking problems, you can guide Twixtor by simply creating and animating shapes to show Twixtor where objects are actually moving. Interactive feature registration is directed through the host program's drawing and roto tools (splines and polylines), not through a grid of mesh points! As such, there is no new interface to learn! This feature only available within After Effects 5.0 (and later) and combustion 3.0 (and later).
Motion Vector Import.Give Twixtor motion vectors generated elsewhere (like from a 3D system) to time remap footage, including adding motion-interpolated fields to otherwise progressive material. Only supported in apps that work in 16bpc or higher.
Motion Vectors Export.You can now output the motion vectors that Twixtor generates internally. This powerful feature comes with visual debugging modes to more intuitively assess and tune the quality of the motion estimation. The motion vectors can then be used elsewhere in the pipeline (including the Twixtor plugin that imports motion vectors). Only supported in apps that work in 16bpc or higher.
What's new in version 6.1.0?
-Fixes a bug with Motion Weighted Blend
-Fixes a bug with Twixtor, Vectors In when only one of Prev Motion Vectors or Next Motion Vectors was supplied.
-6.0.9 Fixes a bug where negative alpha could be erroneously created when slowing down footage and using motion blur compensation (bug was in GPU mode only).
-6.0.9 Adds GPU support for Twixtor, Vectors In and Motion Vector Create.
-6.0.9 Fixes a bug where GPU mode did not work properly in demo mode on some GPUs.
-6.0.9 Fixes a bug where incorrect vectors were produced when Image Track was not on.
-6.0.8 Fixes a bug where negative alpha could be erroneously created when slowing down footage and using motion blur compensation (bug was in GPU mode only).
-6.0.8 Adds GPU support for Twixtor, Vectors In and Motion Vector Create.
Compatibility
Adobe After Effects 7.0 and up, including 64-bit support for CS5 and up.
Language :English
Homepage :http://revisionfx.com/products/twixtor/overview/

Although flicker has had its uses in experimental film, in video flickering can induce epileptic seizures – although it’s mainly just unsightly. Removing flicker is often easy, but can also be quite vexing with certain combinations of out-of-sync lights, electricity, and cameras routinely used recording time-lapse and slow motion footage.

For discussion of some of the issues concerning luminence flicker (not video field flicker) and how to avoid it, see for example About flicker problems by David Satz, Flicker-Free Lights, and Why They are Important to You from B&H Photo-Video, and Rough Guide to Flicker-Free HD Shooting by Art Adams (more 1, 2) here on PVC.

A good short guide on the problem is Reducing flicker for stop-motion animation and time-lapse photography by Benjamin Markus on the AE team blog, written before the release of two powerful plug-ins. Also useful are general shooting tips from Granite Bay Software to eliminate or minimize time-lapse flicker:

  • Avoid flourescent lighting – It’s just too prone to flicker.
  • In artifical light, use a long exposure – If you have to use artificial light, make sure to use a shutter speed that is much longer than one power cycle (i.e. 1/60 of a second). Use a shutter of 1/2 second or longer so your exposure captures many power cycles and the fluctuations average out.
  • Avoid clipping – Pay attention to the histogram before you start. If it is anywhere near clipping, back off the exposure by -1/3 or -2/3 EV. Make sure the blue channel isn’t clipping.
  • Use a higher f-stop – Your camera might give less variation at higher f-stops.
  • Remove the flicker later in software
Flicker

In Creative Cloud, you may be able to fix flicker, depending on shutter speed and frame rate, by simply duplicating the footage and dragging the top layer over one frame later in time then adjusting opacity. This technique was demonstrated by Philip Bloom in Premiere Pro CC in his video Die flicker! Die! How to remove that nasty high shutter speed/ high frame rate artefact in your NLE. It should be easier than the earlier advice from Dave LaRonde, though adding layers at various time offsets and lesser opacities may still be required on some shots.

After Effects has built-in plug-ins designed to remove the flicker common to varying lighting conditions exposed by time-lapse photography and stop-frame animation. The old warhorse is the Color Stabilizer effect, which “samples the color values of a single reference frame, or pivot frame, at one, two, or three points; it then adjusts the colors of other frames so that the color values of those points remain constant throughout the duration of the layer.”Auto Levels, Auto Contrast, and Auto Color can be used too. In another direction, on one forum in 2012, Chris Wright said “AE has warp stabilizer for motion and auto levels, auto color for flicker, but I’ve had the best luck with my auto white balance flicker removal project I made a long time ago. 25% on the textbox is the sweet spot for clamp.”

Richard Harrington explained the old Color Stabilizer effect more recently in his After Effects tutorial Stabilizing exposure with the Color Stabilizer effect at Lynda.com.

There are a variety of dedicated flicker removal plug-ins available. Some are in plug-in bundles like Genarts and Boris FX, which available for NLEs and vfx software on various operating systems. Here’s Boris Flicker Fixer in action.

LRTimelapse uses Adobe Lightroom, and grades by changing frame metadata in their app.

There are also some freeware solutions mainly for Linux and Windows, like Virtual Dub and MSU Deflicker. Timelapseworks.com did a DeFlicker Comparison Test with MSU DeFlicker for VirtualDub, Donald Graft’s DeFlicker for VirtualDub, and DeSeRt:

There are also several well-maintained, inexpensive, yet more industrial-strength commercial solutions for Premiere Pro and After Effects CC.

Granite Bay GBDeflicker has been around since 2007, and is available as a Windows standalone app or as a Premiere Pro-After Effects plug-in on the Mac & Windows. GBDeflicker offers advanced controls which were discussed on their blog.

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Flicker Free from Digital Anarchy (long associated with After Effects) is a newer but highly-regarded plug-in. It’s said that Flicker Free “solves an issue that’s common to anyone that does time lapse or shoots slow motion (high frame rate) video. Flicker happens due to many reasons, exposure variations, electric lights, or just old film.” It seems to eliminate interference and flourescent strobing effectively.

RE:VisionFX also got into the game with DE:Flicker, improving a workflow that previously used a combination of RE:VisionFX ReelSmart Motion Blur and Smoothkit to stop strobing caused by a lack of time samples. DE:Flicker consists of 3 plug-ins for auto-levels correction, high frame rates, and timelapse video.

Please note that this roundup is for quick review and comparison. There is almost always vital information from the originating authors at the links provided — and often free presets, plug-ins, or stock footage too.

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Please note that this roundup is for quick review and comparison. There is almost always vital information from the originating authors at the links provided — and often free presets, plug-ins, or stock footage too. – See more at: https://www.provideocoalition.com/spirals-in-after-effects#sthash.FzPlTlqG.dpuf

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